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Posts Tagged ‘Porcelain’

my nippon vases1

my nippon vases3

Here is a pair of beautiful Nippon vases in a lovely celestial blue and pink pattern. The hand painted landscape scene depicts a lake, trees, a little house and a pretty sky. Both have the same image and both are painted this same way front and back. The moriage work is used to frame the landscape. The decoration is inspired by the late-Rococo porcelain styles of Germany and France. There is some loss of gold on the Japanese Chin (*) dog handles, and normal signs of wear as appropriate with age. Unmarked, but I believe this to be original Nippon porcelain from the late 19th Century or early 20th Century. Measurements: Height: 5.9″

(*) The Japanese Chin, also known as the Japanese Spaniel is another dog breed that resembles Chinese guardian lions , also called Fu (or Foo) Lions, and originates in China. Professor Ludvic von Schulmuth studied canine origins by studying the skeletal remains of dogs found in human settlements as long as ten thousand years ago. The Professor created a genealogical tree of Tibetan dogs that shows the “Gobi Desert Kitchen Midden Dog”, a scavenger, evolved into the “Small Soft-Coated Drop-Eared Hunting Dog”. From this dog evolved the Tibetan Spaniel, Pekingese, and Japanese Chin.

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Nippon Porcelain

The Japanese did not begin exporting their porcelain until the 17th century. It was at that time that a civil war caused the Chinese exporting to halt, prompting the Dutch to convince the Japanese to begin exporting to fill the European demand for porcelain.

Nippon porcelain production began in 1891, when exporting to America was opened, and ended in 1921 when a tariff stating that items had to be plainly marked in English was enacted. The name Nippon simply means Japan. It is not a type of porcelain, but rather a time period that porcelain contained the mark of Nippon.

In general, unmarked Nippon is prior to March 1891; however, this is not a hard and fast rule. Until import laws were clarified, some USA ports allowed goods to enter the country as long as the crate or box was marked with the originating country.

In its day, the Nippon porcelain was inexpensive and often seen as not worthy of collecting. Today, it is not only popular in America, but also Japan and very expensive to collect.

Pieces such as vases, pots and plates were decorated using distinctive decorating techniques.  Nippon porcelain was wholly hand painted until 1904. After 1904, piece began appearing with decals and stencil designs.  Many of them were decorated using materials which are no longer available nowadays. It would be very difficult to bring these techniques and materials back into today’s ceramic industry. The decorating techniques include the following:

Moriage 盛り上げ

Moriage is the term used to describe the layering of small beads or lines of slip clay onto the surface of the pottery, vase or bowl to create three dimensional decorative effects.

There are three basic methods for applying the moriage designs. One is by hand rolling and shaping. The second makes use of tubing. The tubing was filled with softened clay and applied to the porcelain much as we decorate cakes today. The third technique is to reduce the clay to a liquid state and brush it on items. Moriage designs are innumerable and varied. They include border trimmings, lacy designs, and floral motifs.

moriage 16

moriage 17

moriage 2moriage 6moriage 3

MORIAGE 1

Kin-mori 金盛 or Gold Moriage 金彩

The Moriage were often painted gold after the glaze had been applied, giving the pottery item a unique and special finish. The beads were all placed onto the pottery by hand before it was fired in the kiln. Later, when the mass production of such items was started, the addition of the slip clay beads was replaced by adding small dots of enamel which speeded up the production time of each of the items.

Kin-mori1

enamel-mori agold moriageKin-mori2

Jewel ジュエル

This is a raised decoration using glassy pigments that looks like a jewel embedded in the enamel. The colours used are red, yellow, blue, green, and pink. Also known as “Hoseki-mori”.

hoseki-mori bhoseki-mori c

hoseki-mori dhoseki-mori e

hoseki-mori ghoseki-mori h

hoseki mori j

hoseki mori ihoseki-mori a

Cobalt コバルト

Cobalt blue was the primary blue pigment used in Chinese blue and white porcelain for centuries, beginning in the late 8th or early 9th century.

cobalt 3

cobalt 1cobalt 2

cobalt 5cobalt nippon unmarked

Cerulean blue is much used for colouring pottery, and consists of 79 parts of grey flux (fondant aux gris), 7 of carbonate of cobalt, 14 hydrated carbonate. The name of this 19th blue pigment was based on the Latin word “caeruleum” (sky or heavens) previously used in Classical Antiquity to refer to numerous blue pigments. The quite numerous versions of cobalt cerulean already offer quite a various range of undertones.

ceruleancerulean vase

cerulean zzcerulean 2

Designs デザインパターン

Images and patterns are drawn directly onto ceramics by highly skilled craftsmen. These designs are based on complicated, elegant curves and light pastel colours. The paintings were greatly influenced by traditional European decorative style.

Landscape 風景

landscape 0SEP08_Day1_A.qxdlandscape 3

landscape 9

landscape 4landscape 5landscape 6

landscape 8

landscape 11landscape 20landscape 24

landscape 21

nippon moriage vase 3nippon moriage vase 7nippon moriage vase 5

Old Swan

landscape 7

landscape 22

Portrait ポートレート

Japanese Josephine portraitJosephine

Japanese kmpKMP berlin

Japanese Mucha vaseAlfons Maria Mucha Sarah Bernhardt

portrait

geisha-girl-18.3




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mi-rosenthal1

mi-rosenthal-2

This is a very decorative and highly collectible Rosenthal porcelain trinket box, beautiful decorated with wonderful roses on the top and sides, and gold adornment around the rim of the lid. The box is marked on the bottom with green printed marks “Rosenthal, Bavaria E” (1919-1935).

mi-rosenthal-41


mi-rosenthal-mark

Some Examples of Rosenthal Boxes

bjorn-wiinbladdose-in-eiform-rosenthal-19271bjorn-wiinblad-boxchippendale-1940rosenthal-aladin

rosenthal-1910-20bjorn-wiinblad-2rosenthal-blumenstraus-motiv

rosenthal-1930-brosenthal-1952rosenthal-1930

rosenthal-blumendekorrosenthal-box-1940rosenthal-box-contemporaryrosenthal-box-kurt-wendler-1927rosenthal-box-studio-linie

rosenthal-box-1rosenthal-1938-mit-moosrosendekorrosenthal-deckel-pfau

rosenthal-box-peynetrosenthal-deckeldose-1920-brosenthal-box-a

rosenthal-deckeldoserosenthal-deckeldose-1920rosenthal-deckeldose-1930rosenthal-green-stamp-1920

rosenthal-box-1950rosenthal-romanze-3rosenthal-peynet-1950-brosenthal-romanze1

rosenthal-doserosenthal-dresser-boxrosenthal-dose-1965rosenthal-quatre-couleurs

rosenthal-rhododendronrosenthal-romanze-2rosenthal-rosari-dekor1rosenthal-studio-linie-bjorn-windblad

rosenthal-trinket-box1rosenthal-trinket-box-arosenthal-versacerosenthaldose-1965


Rosenthal, Design for Creative Consumers

Founded in 1879, Rosenthal has been Germany’s leading maker of fine porcelain for more than 125 years.

rosenthal_konzern

Rosenthal worked closely together with about 1000 designers, artists, architects and couturiers. These highly talented men came from all around the world and included such names as:

Bjoern Wiinblad (Denmark )

prinsessa-bjorn-wiinblad-1950bjorn-wiinblad-swan-and-a-nymph

Constantin Holzer-Defanti (Austrian)


constantin-holzer-defanti-1919pierrot-constantin-holzer-defanti-1920

Ernst Wenck (Germany)

ernst-wenck-1938-germanyernst-wenck-1900

Ferdinand Liebermann (Germany)


ferdinand-liebermann-1910-1920

ferdinand-liebermann-1910

Georg Küspert (Germany)

georg-kuspert-1971

georg-kuspert-1972

Gerhard Schliepstein (Germany)


gerhard-schliepstein-1925gerhard-schliepstein-1930

gerhard-schliepstein-1937

Gianni Versace (Italy)


rosenthal-versace-barocco-vaseversace

gianni-versace-plate

Hans Theo Baumann (Germany)

hans-theo-baumannhans-theo-baumann-2

Raymond Loewy (France)

raymond-loewy raymond-loewy-2

Raymond Peynet (France)

raymony-peynet-1957raymond-peynet-les-amoureux-avec-coeurs-1958

Richard Aigner (Germany)

richard-aignerrichard-aigner-1910

Tapio Wirkkala (Findland) tapio-wirkkala-paper-bag-vase

tapio-wirkkala-tea-set

Walter Gropius (Germany)

walter-gropius-1969

walter-gropius-tea-set-1969


Andy Warhol (USA)


andy-warhol-beethoven-porcelain-wall1

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my-royal-doulton-marigold

Four Royal Doulton “Marigold” coffee cups and saucers partially hand painted in absolutely fabulous condition for year. We judge this to be early pieces, rarely available, about 1917.

my-royal-doulton-marigold-2

Royal Doulton

Royal Doulton has been producing porcelain ceramics and tableware for approximately 200 years.
While founded back in 1793, the company that was to become associated with the term “Royal Doulton” was originally negaged in the production of industrial porcelain, such as tiles and storage containers for chemicals. Royal Doulton porcelain marks appear in 1872 on its decorative and dinnerware pieces.

The Royal Doulton mark has been used continuously since 1902 until the present.

Royal Doulton Marks

18821
1882
1899-whisky-mark2
1899 whisky mark
1902-22-and-1927-36
1902/22 and 1927/36

1902-1922
1902/1922
1915 green mark
1915 Green mark
1922
1922
1922/56 without the crown
1922/56 without the crown
1932
1932
1932/1935
1932/1935
1982/1988
1982/1988

little-bridesmaid-figurinemarkmarigold-mark

mark-ironstone-old-colony1pitcher-mark

plate-markshaving-mug-1920

Royal Doulton Examples

chelsea-bird-plateroyal-doulton-1royal-doulton-2

royal-doulton-3-carlyleroyal-doulton-4royal-doulton-5

royal-doulton-6royal-doulton-7royal-doulton-8royal-doulton-9

royal-doulton-11-1930royal-doulton-10royal-doulton-13

royal-doulton-15royal-doulton-ironstoneroyal-doulton-ironstone-2royal-doulton-14-kingswood

royal-doulton-ironstone-platter

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This is an art deco teapot made in Kyoto, Japan with banded decoration. In the bottom has a red stamped mark: “IDEAL IRON STONE CHINA SK KYOTO TOKICO.”

Date c. 1925, Taisho period (1).

(1) Taisho (1912–26) Period in Japanese history corresponding to the reign of the Taisho emperor, Yoshihito (1879–1926). During this period the art deco movement was dominant in fashion, furniture, textiles, ceramic and porcelain.

Japanese Art Deco

Japanese Teapots

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This is a beautiful hand painted cup and saucer set by Nippon. There are gilded moriage decorations and beading on both pieces.

Style: Art Deco – Unmarked

Age: C late 19th – early 20th century

Nippon Porcelain

Nippon is not the name of the manufacturer as many think, but rather the country of origin. Today, Nippon items are among the most sought after collectibles on the antique market. In October of 1890, the “McKinley Tariff Act” required items entering the United States be marked with the country of origin. In September of 1891, the Nippon era began and lasted until 1921. During that time, merchandise from Japan, had to be marked Nippon, the Japanese name for Japan. After 1921, the United States required that imports carry the word Japan or made in Japan.

During the Nippon manufacturing era the Japanese government commissioned a number of foreign artisans to come to Japan to instruct them in the production and painting of porcelain in the European style. They were highly successful in their efforts at imitation, and much Nippon porcelain that was produced bears a strong resemblance to such European porcelain products as Limoges, Sevres, KPM, R.S. Prussia, Beleek, Wedgwood, Gouda, Royal Bayreuth, and the list goes on and on. The advantage to the American consumer of the day was that hand painted Nippon porcelain could be acquired at a fraction of the cost of its European counterparts.

Early unmarked Nippon is of higher quality. The artwork and decorations are superior. The gold was used quite lavishly on the pieces exported during this time. However, much of this gold was not very durable and today we find that a number of these pieces have much of the gold worn off.

Nippon has secured a reputation as fine art in the world of porcelain. This is because its superb techniques are being re-evaluated and the art deco and moriage (1) of Nippon are not just viewed as second-rate western style porcelains. They are viewed as outstanding artistic porcelain works.

(1) Moriage or “raised enamel decoration”: is a special type of raised decoration used on some Japanese pottery. It is the art of laying “beads” of porcelain on the item prior to firing in the kiln. Most typically it was decorated later in gold. Sometimes pieces of clay were shaped by hand and applied to the item; sometimes the clay was squeezed from a tube in the way we apply cake frosting.

Examples of Nippon Porcelain

Reproduction Alert

The authentic cracker jar is on the left. Note that the gold on the reproduction cracker jar is darker and looks burnished.

Again, note the color difference in both the porcelain and gold.

Note that the inside rim of the authentic cracker jar lid (on the left) is shaped differently than the inside lid of the reproduction.

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This is a very pretty Limoges porcelain centerpiece with floral décor and gilded. It stands on an ormolu (1) pedestal with two dolphins (2).

(1) A gilded metal alloy of copper, zinc, and tin used in France since the 17th Century for candelabra, clocks, and other decorative luxury objects, and for mounting elaborate furniture. It was adopted more sparingly in England from the mid 18th Century.

(2) The Dolphins of the Triton Fountain: This fountain Finished in 1643 and situated at piazza Piazza Barberini, Rome, Italy is one of Bernini’s more famous works. It is positioned in the center of the piazza, and its main figure is Glaucus – half fish half man – rising from an open seashell and below him four dolphins, which keeps his seat afloat.

Another examples

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Absolutely beautiful hand painted porcelain gilt bronze-mounted inkwell. Double ink pots, pen holder, beautifully painted flowers and trimmed in gold. Marked Limoges, France.

Limoges Mark

Another examples of Limoges inkwells

LIMOGES INK WELL GIVEN BY PRINCESS DIANA AS A GIFT

This Limoges ink well with feather quill was given by Princess Diana as a Christmas gift to one of her bridesmaids, Sarah Jane Gaselee.

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